Time slows in Above and Below, which presents viewers with detailed paintings of the pottery, plants, textiles, and furniture that surround the artist on a daily basis. Among the houseplants he nurtures and the objects he collects, Cline finds ready subjects for creating a world of quiet respite and contemplation. Executed in a restrained color palette dominated by soft blues, browns, and greens, Cline searches for an interior world, seeking shelter from the relentless chaos of the information age.
The still lives in Above and Below developed from Cline’s past figural work. His early figurative paintings often focused on a central drama suggesting a larger narrative, one in which plants and objects play secondary roles. But in recent years, a sharpened focus on the marginal aspects of his early works has brought an invigorated freedom to his practice. Without suggestions of overt narrative or references to cultural or historical contexts, Cline has been able to develop a unique visual idiom that finds meaning in texture, light, and form.
Cline’s unusual vantage points and evident eye for the quotidian are reminiscent of the haphazard compositions of vernacular photography. Eschewing details that root his paintings in a specific time or place beyond the domestic interior, Cline opts to focus on the formal and material details present in his subjects, such as dust, textural eccentricities, and lighting. Moreover, each canvas is stippled to produce a sandpaper-like surface suggesting haze in each image. The emphasis of texture and light over color’s saturation brings an intensity to the paintings that makes the modest objects appear as though they are vibrating, imbued with a surplus of energy that can never fully manifest.
Michael Cline (b.1973 Cape Canaveral, Florida; lives and works in New York City, New York) studied at the School of the Art Institute of Chicago. Cline has presented solo exhibitions with Corbett vs. Dempsey, Chicago; David Kordansky, Los Angeles; Marc Jancou Contemporary, New York; and Daniel Reich Gallery, New York. His works have also been included in group exhibitions organized by the Parrish Art Museum, New York; Museo d'Arte Contemporanea Roma, Rome; Deste Foundation, Athens; David Zwirner, New York; Lehmann Maupin, New York; and Saatchi Gallery, London. Cline’s paintings are included in the collections of the Museum of Modern Art, New York; the Walker Art Center, Minneapolis; François Pinault Foundation, Venice; and the Museum of Old and New Art, Tasmania.
Exhibitions & Events from NINO MIER GALLERY | 41
There are no upcoming events at this time.
About NINO MIER GALLERY | 41
The new location, slated to open in early 2021, will be located at 25 Rue Ernest Allard, in the heart of the capital and its historic gallery district of the Sablon. Occupying approximately 4,000 square feet across four stories, the historic red brick townhouse also features a 1,500 square foot sculpture garden. The architecture will provide a unique and new opportunity for the gallery’s roster of international artists in addition to new projects, positions, and curated group exhibitions. After launching a project space and residency program in Cologne, Germany in 2017, the move to Brussels marks the fifth location for the gallery in five years, having opened three spaces in Los Angeles since 2015.
NINO MIER GALLERY | 41 Opening Hours
DURING BGW : Thu 11 am > 9 pm Fri - Sat 11am - 7pm - Sun 11am - 6pm OTHER : Tuesday-Saturday 10am-6pm